| | TIMING | MUSICALITY | TECHNIQUE | CONNECTION AND SYNCHRONIZATION | LEVEL OF DIFFICULTY | EXPRESSION, STAGE PRESENCE, VISUAL IMPACT | CHOREOGRAPHY AND CREATIVITY | PENALTY | TOTAL |
| ADOLFO INDACOCHEA | | | | | | | | | |
| 65264 Latin Soul Dancers | 17.000 | 12.750 | 12.600 | 12.600 | 12.450 | 8.300 | 8.400 | 0.000 | 84.100 |
| | | | | | | | | | |
| ALIEN RAMIREZ | | | | | | | | | |
| | TIMING | MUSICALITY | TECHNIQUE | CONNECTION AND SYNCHRONIZATION | LEVEL OF DIFFICULTY | EXPRESSION, STAGE PRESENCE, VISUAL IMPACT | CHOREOGRAPHY AND CREATIVITY | PENALTY | TOTAL |
| 65264 Latin Soul Dancers | 17.000 | 12.675 | 12.450 | 12.600 | 12.450 | 8.400 | 8.500 | 0.000 | 84.075 |
| | | | | | | | | | |
| BILLY FAJARDO | | | | | | | | | |
| | TIMING | MUSICALITY | TECHNIQUE | CONNECTION AND SYNCHRONIZATION | LEVEL OF DIFFICULTY | EXPRESSION, STAGE PRESENCE, VISUAL IMPACT | CHOREOGRAPHY AND CREATIVITY | PENALTY | TOTAL |
| 65264 Latin Soul Dancers | 16.400 | 12.600 | 12.450 | 12.450 | 12.450 | 8.300 | 8.400 | 0.000 | 83.050 |
| | | | | | | | | | |
| CECLILIA MONTEZUMA | | | | | | | | | |
| | TIMING | MUSICALITY | TECHNIQUE | CONNECTION AND SYNCHRONIZATION | LEVEL OF DIFFICULTY | EXPRESSION, STAGE PRESENCE, VISUAL IMPACT | CHOREOGRAPHY AND CREATIVITY | PENALTY | TOTAL |
| 65264 Latin Soul Dancers | 17.800 | 12.900 | 12.450 | 13.200 | 13.200 | 8.700 | 8.900 | 0.000 | 87.150 |
| | | | | | | | | | |
| | TIMING | MUSICALITY | TECHNIQUE | CONNECTION AND SYNCHRONIZATION | LEVEL OF DIFFICULTY | EXPRESSION, STAGE PRESENCE, VISUAL IMPACT | CHOREOGRAPHY AND CREATIVITY | PENALTY | TOTAL |
| FADI FUSION | | | | | | | | | |
| 65264 Latin Soul Dancers | 18.400 | 12.900 | 12.900 | 14.100 | 13.500 | 8.500 | 8.900 | 0.000 | 89.200 |
| | | | | | | | | | |
| | TIMING | MUSICALITY | TECHNIQUE | CONNECTION AND SYNCHRONIZATION | LEVEL OF DIFFICULTY | EXPRESSION, STAGE PRESENCE, VISUAL IMPACT | CHOREOGRAPHY AND CREATIVITY | PENALTY | TOTAL |
| GABY EQUIZ | | | | | | | | | |
| 65264 Latin Soul Dancers | 16.400 | 12.300 | 12.300 | 12.750 | 12.000 | 8.000 | 8.000 | 0.000 | 81.750 |
| | | | | | | | | | |
| | TIMING | MUSICALITY | TECHNIQUE | CONNECTION AND SYNCHRONIZATION | LEVEL OF DIFFICULTY | EXPRESSION, STAGE PRESENCE, VISUAL IMPACT | CHOREOGRAPHY AND CREATIVITY | PENALTY | TOTAL |
| JORGE MARTINEZ | | | | | | | | | |
| 65264 Latin Soul Dancers | 17.000 | 13.050 | 13.200 | 13.050 | 13.050 | 8.600 | 8.900 | 0.000 | 86.850 |
| | | | | | | | | | |
| | TIMING | MUSICALITY | TECHNIQUE | CONNECTION AND SYNCHRONIZATION | LEVEL OF DIFFICULTY | EXPRESSION, STAGE PRESENCE, VISUAL IMPACT | CHOREOGRAPHY AND CREATIVITY | PENALTY | TOTAL |
| KAREN FORCANO | | | | | | | | | |
| 65264 Latin Soul Dancers | 16.200 | 12.450 | 12.300 | 12.150 | 12.150 | 8.500 | 8.000 | 0.000 | 81.750 |
| | | | | | | | | | |
| | TIMING | MUSICALITY | TECHNIQUE | CONNECTION AND SYNCHRONIZATION | LEVEL OF DIFFICULTY | EXPRESSION, STAGE PRESENCE, VISUAL IMPACT | CHOREOGRAPHY AND CREATIVITY | PENALTY | TOTAL |
| RAFAEL BARROS | | | | | | | | | |
| 65264 Latin Soul Dancers | 16.400 | 12.600 | 12.450 | 12.450 | 12.675 | 8.350 | 8.400 | 0.000 | 83.325 |
| | | | | | | | | | |
| | TIMING | MUSICALITY | TECHNIQUE | CONNECTION AND SYNCHRONIZATION | LEVEL OF DIFFICULTY | EXPRESSION, STAGE PRESENCE, VISUAL IMPACT | CHOREOGRAPHY AND CREATIVITY | PENALTY | TOTAL |
| TAMARA LIVOLSI | | | | | | | | | |
| 65264 Latin Soul Dancers | 15.400 | 10.800 | 11.100 | 11.400 | 10.950 | 7.800 | 7.300 | 0.000 | 74.750 |
| | | | | | | | | | |
| | TIMING | MUSICALITY | TECHNIQUE | CONNECTION AND SYNCHRONIZATION | LEVEL OF DIFFICULTY | EXPRESSION, STAGE PRESENCE, VISUAL IMPACT | CHOREOGRAPHY AND CREATIVITY | PENALTY | TOTAL |
| TITO ORTOS | | | | | | | | | |
| 65264 Latin Soul Dancers | 16.000 | 12.075 | 12.000 | 12.300 | 12.150 | 8.400 | 8.100 | 0.000 | 81.025 |
| | | | | | | | | | |