| | TIMING | MUSICALITY | TECHNIQUE | CONNECTION AND SYNCHRONIZATION | LEVEL OF DIFFICULTY | EXPRESSION, STAGE PRESENCE, VISUAL IMPACT | CHOREOGRAPHY AND CREATIVITY | PENALTY | TOTAL |
| ADOLFO INDACOCHEA | | | | | | | | | |
| N/A Pedro Ramos Jasalynn Fernandez | 16.000 | 12.000 | 12.150 | 11.550 | 12.150 | 8.000 | 8.000 | 0.000 | 79.850 |
| | | | | | | | | | |
| ALIEN RAMIREZ | | | | | | | | | |
| | TIMING | MUSICALITY | TECHNIQUE | CONNECTION AND SYNCHRONIZATION | LEVEL OF DIFFICULTY | EXPRESSION, STAGE PRESENCE, VISUAL IMPACT | CHOREOGRAPHY AND CREATIVITY | PENALTY | TOTAL |
| N/A Pedro Ramos Jasalynn Fernandez | 16.500 | 12.300 | 12.225 | 12.300 | 12.225 | 8.200 | 8.200 | 0.000 | 81.950 |
| | | | | | | | | | |
| BILLY FAJARDO | | | | | | | | | |
| | TIMING | MUSICALITY | TECHNIQUE | CONNECTION AND SYNCHRONIZATION | LEVEL OF DIFFICULTY | EXPRESSION, STAGE PRESENCE, VISUAL IMPACT | CHOREOGRAPHY AND CREATIVITY | PENALTY | TOTAL |
| N/A Pedro Ramos Jasalynn Fernandez | 15.800 | 12.000 | 11.850 | 12.000 | 12.150 | 8.000 | 8.100 | 0.000 | 79.900 |
| | | | | | | | | | |
| CECLILIA MONTEZUMA | | | | | | | | | |
| | TIMING | MUSICALITY | TECHNIQUE | CONNECTION AND SYNCHRONIZATION | LEVEL OF DIFFICULTY | EXPRESSION, STAGE PRESENCE, VISUAL IMPACT | CHOREOGRAPHY AND CREATIVITY | PENALTY | TOTAL |
| N/A Pedro Ramos Jasalynn Fernandez | 16.000 | 11.850 | 11.700 | 12.000 | 11.850 | 7.900 | 8.100 | 0.000 | 79.400 |
| | | | | | | | | | |
| | TIMING | MUSICALITY | TECHNIQUE | CONNECTION AND SYNCHRONIZATION | LEVEL OF DIFFICULTY | EXPRESSION, STAGE PRESENCE, VISUAL IMPACT | CHOREOGRAPHY AND CREATIVITY | PENALTY | TOTAL |
| GABY EQUIZ | | | | | | | | | |
| N/A Pedro Ramos Jasalynn Fernandez | 13.400 | 10.050 | 9.750 | 10.050 | 10.200 | 6.700 | 6.800 | 0.000 | 66.950 |
| | | | | | | | | | |
| | TIMING | MUSICALITY | TECHNIQUE | CONNECTION AND SYNCHRONIZATION | LEVEL OF DIFFICULTY | EXPRESSION, STAGE PRESENCE, VISUAL IMPACT | CHOREOGRAPHY AND CREATIVITY | PENALTY | TOTAL |
| JORGE MARTINEZ | | | | | | | | | |
| N/A Pedro Ramos Jasalynn Fernandez | 14.800 | 11.250 | 11.250 | 11.400 | 11.400 | 7.500 | 7.600 | 0.000 | 75.200 |
| | | | | | | | | | |
| | TIMING | MUSICALITY | TECHNIQUE | CONNECTION AND SYNCHRONIZATION | LEVEL OF DIFFICULTY | EXPRESSION, STAGE PRESENCE, VISUAL IMPACT | CHOREOGRAPHY AND CREATIVITY | PENALTY | TOTAL |
| KAREN FORCANO | | | | | | | | | |
| N/A Pedro Ramos Jasalynn Fernandez | 15.000 | 11.400 | 11.400 | 11.550 | 11.625 | 7.800 | 7.900 | 0.000 | 76.675 |
| | | | | | | | | | |
| | TIMING | MUSICALITY | TECHNIQUE | CONNECTION AND SYNCHRONIZATION | LEVEL OF DIFFICULTY | EXPRESSION, STAGE PRESENCE, VISUAL IMPACT | CHOREOGRAPHY AND CREATIVITY | PENALTY | TOTAL |
| MARTIN GONZALEZ | | | | | | | | | |
| N/A Pedro Ramos Jasalynn Fernandez | 15.000 | 11.100 | 11.100 | 10.950 | 11.100 | 7.500 | 7.500 | 0.000 | 74.250 |
| | | | | | | | | | |
| | TIMING | MUSICALITY | TECHNIQUE | CONNECTION AND SYNCHRONIZATION | LEVEL OF DIFFICULTY | EXPRESSION, STAGE PRESENCE, VISUAL IMPACT | CHOREOGRAPHY AND CREATIVITY | PENALTY | TOTAL |
| RAFAEL BARROS | | | | | | | | | |
| N/A Pedro Ramos Jasalynn Fernandez | 14.900 | 11.550 | 11.625 | 11.775 | 11.625 | 7.900 | 7.400 | 0.000 | 76.775 |
| | | | | | | | | | |
| | TIMING | MUSICALITY | TECHNIQUE | CONNECTION AND SYNCHRONIZATION | LEVEL OF DIFFICULTY | EXPRESSION, STAGE PRESENCE, VISUAL IMPACT | CHOREOGRAPHY AND CREATIVITY | PENALTY | TOTAL |
| TAMARA LIVOLSI | | | | | | | | | |
| N/A Pedro Ramos Jasalynn Fernandez | 15.300 | 10.800 | 10.950 | 11.100 | 10.800 | 7.600 | 7.150 | 0.000 | 73.700 |
| | | | | | | | | | |
| | TIMING | MUSICALITY | TECHNIQUE | CONNECTION AND SYNCHRONIZATION | LEVEL OF DIFFICULTY | EXPRESSION, STAGE PRESENCE, VISUAL IMPACT | CHOREOGRAPHY AND CREATIVITY | PENALTY | TOTAL |
| TITO ORTOS | | | | | | | | | |
| N/A Pedro Ramos Jasalynn Fernandez | 15.200 | 11.625 | 11.325 | 11.700 | 11.925 | 8.000 | 7.900 | 0.000 | 77.675 |
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